Monuments reveal

Sculptural composition in Donetsk. Behind the symbolic Bear monuments

Behind the symbolic Bear monuments
Chosen as the animal symbol of Russia, the bear is truly the king of the forest. Although brown bear appears to be capable only of roaring, in fact, this is an intelligent beast. Having no equal in strength in the northern latitudes, the bear was worshiped by ancient Rusichs. They made multiple totems in the form of a bear and believed that such a guard would necessarily protect them from enemies, and would give strength in battle. In Russia and there was a cult of the bear.
Meanwhile, the cutest image of bear quite recently has become a famous character of the cartoon “Masha and Bear”.
Sculptures of Masha and the Bear are available in several regions of Russia and other countries. In particular, Sterlitamak (Bashkortostan), Kemerovo and Tashtagol (Kemerovo Region), Volgograd, Elani and Surovikin (Volgograd Region), Kuznetsk (Penza Region), Emanzhelinsk (Chelyabinsk Region), Vileyka (Minsk region, Byelorussia), and Bryansk (Bryansk region). Besides, in other cities featured here – Blagoveshchensk, Donetsk, Perm, Yevpatoria, and Sochi.
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Impressive sculptures of roosters created by British sculptor. James Doran-Webb driftwood animal sculpture

James Doran-Webb driftwood animal sculpture

Born in 1967, Doran-Webb is a British sculptor living in the Philippines. James spent his early childhood in Devon. Meanwhile, his parents, art historians and antique researchers, travelled a lot and took James with them. Accordingly, he spent his teenage years in various cities getting acquainted with the antiques restoration and, in particular, with art. In addition, he had to change cities and schools during his traveling. Basel, Switzerland, Italy, the US and France… Having returned to London he entered The Courtold Institute to study art. However, very soon he had started his own antiques business selling items at Portobello Market.
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Work by Marijan Mirt, Five observers, steel wire. The Legend Largest sculptural park in Russia

The Legend Largest sculptural park in Russia

Known in Russian as “Legenda”, the sculpture park “Legend” is, in fact, the largest sculptural park in Russia and one of the largest in the world. Located on the territory of the recreational complex “Chistiye Prudy” near the village of Ramzai in the Mokshan district of the Penza region, the park has become famous for many reasons. In particular, for the annual international sculpture symposia. Besides, the park “Legenda” has 275 unique works of marble, granite, wood, metal and bronze. Noteworthy, the authors of these monuments and sculptural compositions – 178 sculptors from 59 countries.
Created in 2008 The “Legend” Park became a part of the International Sculptural Symposium “Autumn. Inspiration. Penza”, organized for private funds by Konstantin Mikhailovich Volkov, manager of the company “Rosstroy.”
First held on “Clean Ponds” (from 10 to 30 September 2008) symposium has become annual. Famous sculptors from 30 countries from all over the world came here (49 sculptors). During the symposium, the artists created sculptures from various sculptural materials on the theme “Motherhood and family”. And later the park was given the name “Legend”.
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Soviet prima ballerina Alla Yakovlevna Shelest (1919-1998), Marble. Sculptor A. G. Dema, architects S. L. Mikhailov and N. N. Sokolov. 2000. Photo by Alexandra Solovyova. Ballerina Alla Shelest monument in Volkovo cemetery, Literary bridges in St.Petersburg

Ballerina Alla Shelest monument in Volkovo cemetery
According to Mstislav Rostropovich, Shelest was “bright on the stage and closed in life”. And the legendary Plisetskaya considered her one of the best dancers she had ever seen.
Alla Shelest was an outstanding classic ballerina of a romantic, heroic and tragic plan. But a rare ballerina was not so unlucky as Shelest.
At the age of fifteen, Shelest came to the class of Vaganova. The change in aesthetic and pedagogical requirements was too harsh and could not help leaving a trace … In the theater Shelest expected even greater difficulties. The life of a great ballerina was not strewn with roses. During the war she lived and worked in a besieged city, every day faced starvation and shelling in blocked Leningrad. For sixteen years she was doomed to duplicate the first performer of new parties … Nevertheless, Shelest achieved much. ”
According to famous ballerina Galina Ulanova, each performance of Shelest – not only the talent of the ballerina, but also the mind, and the great inner culture of the true artist. The ballerina is tragic and inspired, and always recognized by emotionality and selflessness of the dancer.”
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A mourning girl with a wreath in her hand – grave sculpture. Volkovo cemetery Necropolis Literary Bridges

Volkovo cemetery Necropolis Literary Bridges
Once a writer, Vsevolod Garshin, known to everyone since childhood as the author of “Frogs-Travelers,” said: “Summer, heat and longing. I want to go somewhere far away from the stone, into the greenery, into some quiet place, where the noise of the city does not reach and where there is no crowd. It is difficult to find such a secluded place: the gardens are full of people, dacha places too. I’ll go to the cemetery. If bored among the living, then where to go, if not to the dead? Talking to them, that is, reading their books. I’m tired, and going to see where they are … ”
So, six years before his tragic death, the writer spoke about the “Literary Bridge” Necropolis of St. Petersburg Volkovo cemetery, and where he rests in peace himself. Many years have passed, but we are experiencing the same feelings today when we are walking along this unique necropolis!
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Symbolic for Vakhtangov Theater, Capricious Princess Turandot fountain sculpture. Author – Alexander Nikolaevich Burganov (born March 20, 1935)

Capricious Princess Turandot fountain sculpture

Who is Princess Turandot? According to legend, Turandot is the proud and self-willed daughter of the Chinese Emperor Altoom. In general, she is famous for her refuses to marry. And the reason is that she is sure that all men are “insidious, deceitful in heart, and they can not love.” So, to avoid a hated marriage and not upset her father, who because of her led many wars, Turandot comes up with a cunning plan. In particular, she asks to inform everyone that any prince may have a chance to marry her. But provided that she will offer the applicant three riddles, and a prince who can solve the riddles will become her husband. However, who won’t be able to solve them – will lose his head.
Meanwhile, the golden sculpture of the princess is part of the fountain, known as the “Princess Turandot” Fountain. Located on Arbat Street in Moscow, the fountain appeared in 1997 in front of the entrance of the E.Vakhtangov Theater. In addition, it commemorates the 850th anniversary of Moscow and the 75th anniversary of the production of “The Princess Turandot” by Carlo Gozzi’s fairy tale.
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Tondo Female portrait. 1465 glazed terracotta. National Museum of Bargello, Florence. Work by Italian Renaissance sculptor Luca della Robbia (1399 or 1400 – 23 February 1482), mainly remembered as a pioneer of colored glazed terracotta as a sculptural medium

Italian Renaissance sculptor Luca della Robbia
Sculptor and jeweler of the Renaissance, full name was Luca di Simone della Robbia, the founder of the dynasty of artists, he devoted his whole long life to the service of art. Born in Florence in 1399 or 1400, trained in textiles and as a goldsmith before sculpture, however, he became known as a prolific sculptor of the early Renaissance. Patronized by the Medici, he achieved fame and wealth through glazed terracotta artworks. He performed many works, which rightfully occupy a prominent place in the history of the sculpture of the Renaissance. Worked in stone and terracotta, he was the follower of the humanistic movement. Noteworthy, he invented a type of representation of the Virgin and Child shown half-length in white on a blue background that proved highly popular. Set up successful studio in Florence, he kept the formula of his tin glazes a secret. However, the technical formula soon became the basis of a flourishing business. Worked closely with his nephew Andrea della Robbia (1435–1525). Unfortunately, Luca’s successors tended to sentimentalize his warm humanity.
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