Monuments reveal

Story behind monument

Slavic deities wooden sculpture in Togliatti

Slavic deities wooden sculpture in Togliatti

Looking at you wooden idol. Slavic deities wooden sculpture in Togliatti. Work by 70-old pensioner Evgeny. Russia

Slavic deities wooden sculpture in Togliatti

In the depths of the forest, behind the sanatorium “Prilesye”, that is in Togliatti there is a pagan temple. It is here the amazing sculptures of Slavic idols decorate the forest. Their author – Evgeny, a 70-year-old woodcarver. According to the reviews of those who met and talked with him, Evgeny is friendly and quite cheerful. He works at the behest of the soul, as the Master should. He is constantly in the open air, and lives in a tent in this forest. Unfortunately, vandals spoil and even burn his sculptures from time to time. “They destroy and burn, and I’m building again,” he said with a smile.
The scale of his work, of course, is impressive. This is a titanic, uninterrupted work. Many dozens of pine trunks processed over the years can impress anyone. In search of deadly trees Evgeny passes many kilometers away from his tent. To deliver the trunk to the right place, he sometimes has to spend up to 4-6 hours a day. Chisel, ax, chainsaw – these are the main tools for the master. Meanwhile, in addition to carving wood, he also engages in healing. People who wish to get rid of infertility, from male impotence, and from other ailments visit him.
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Repository of the soul – Egyptian Ancient Realistic Sculpture

Repository of the soul - Egyptian Ancient Realistic Sculpture. Fragment of wooden statue of Prince Kaaper, or 'village head'

Fragment of wooden statue of Prince Kaaper, or ‘village head’. Repository of the soul – Egyptian Ancient Realistic Sculpture

Repository of the soul – Egyptian Ancient Realistic Sculpture
… When archaeologists took a wooden sculpture out of the dungeon, the peasants crowded near the excavations gasped: “This is our village head!”
Before them was an elderly man with a staff in his hand. Full of dignity, he looked calmly and indifferently over the people around him. Scientists Egyptologists and called this statue – “Rural elder”. However, in fact, exact face of Prince Kaapert, who lived … four and a half thousand years ago!
The darkness of the dungeon hid from the human eyes paired statues of Prince Rahotep and his wife Nofret for almost five millennia. During this time, civilizations and states disappeared and emerged, humanity entered the age of space flights, even the recent achievements of science and technology became obsolete, and works of art created in immemorial times are still full of life and immense power of influence.
The more you look at them, the more they fascinate. It seems that these are living people who are thinking about something. The genius of the sculptor vividly captures the beauty and femininity of Nofret, the manly and tragic image of Rakhotep.
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Stories behind weeping monuments

Stories behind weeping monuments

Stories behind weeping monuments

Stories behind weeping monuments
Today was in the cemetery, and there on the monument was cut a weeping angel .. Doctor Who
On August 29, 1953, a pregnant woman named Antonietta Januzo, who lived in Syracuse in Sicily, discovered that the plaster statuette of the Virgin with the baby was crying. The news of this miracle spread quickly and led to a surge of mass religious hysteria throughout the island.
Local church authorities, slightly hurt by the publicity that this story received, decided to personally verify her truth. In truth, they simply did not believe the woman’s words. However, when samples of the liquid from the Madonna’s eyes were analyzed, it turned out that they were similar to real human tears. The church immediately recognized the miracle and erected a raca, where pilgrims honor the statuette in our time.
Obvious miracles of this type are so numerous that anyone who would like to describe them could not even place all the facts in one volume. Since inanimate objects can not cry or bleed, it becomes clear that this phenomenon is a supernatural order. Maybe it just means that the Lord proves his existence.
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The tradition of burying actors outside the cemetery fence

The tradition of burying actors outside the cemetery fence

Movie character Ellochka from the film ’12 chairs’. Monument in Kharkov, Ukraine. The tradition of burying actors outside the cemetery fence

The tradition of burying actors outside the cemetery fence
Mankind has erected a mass of boring and simply uninteresting monuments. However, few of the actors have been honored with a monument. In fact, more recently, the acting profession, to put it mildly, was not at all prestigious. Indeed, not prestigious so much that there was a tradition of burying actors outside the cemetery fence. Why?
According to one version, this is due to the prohibition of the church to portray the lives of others. According to the Christian world view, every person has been given one life since birth. So, one needs only to live his own destiny, and not to depict other people. Besides, according to the church teaching, trying on the stage different images, the actor not only tries other people’s destinies, but also takes the sins of other people. Therefore, plays along with the antichrist, and thus, sinks to basest sins.
Despite the roles that the actor played in the performances, after his death (along with suicides and people who died from an alcohol overdose) they were buried only outside the cemetery. The church believes that the actors even during their lifetime voluntarily killed their souls.
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Operetta king Mikhail Vodyanoi grave monument

Operetta king Mikhail Vodyanoi grave monument

Mikhail Grigorievich Wasserman (December 23, 1924 – September 11, 1987). Operetta king Mikhail Vodyanoi grave monument

September 11, 1987, the heart of People’s Artist of the USSR Mikhail Vodyaniy, called the King of the Operetta, stopped beating. With the participation of his widow Margarita Demina, on the grave of the artist appeared an unusual monument. The work of sculptors Alexei Kopiev and Eugene Olenin depicts the most familiar roles, embodied by the King of the Operetta.
Born December 23, 1924 in Kharkov, Mikhail Grigorievich Wasserman was the second child in a wealthy Jewish family. When Mikhail Grigoryevich was 14, their family moved to Kislovodsk, where he graduated from school and played in amateur performances. Relatives said: “The family is not without a freak. The eldest graduated from two institutions, and the youngest – a clown … “. Meanwhile, he took much after his mother, Anna Lvovna, who beautifully sang and had the gift of reincarnation. By the way, the surname Wasserman in translation means “water man” – hence his pseudonym – Vodyanoi (“water man” in Russian).
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Poem character Tsokotukha the Fly monuments

Sochi. Poem character Tsokotukha the Fly monuments

Sochi. Poem character Tsokotukha the Fly monuments

Poem character Tsokotukha the Fly monuments

Mukha-Tsokotukha, Tsokotukha The Fly,
Gilded belly.
The fly walked in the field,
The fly found a coin,
Off she went to the market
And bought a samovar.
(poem by Korney Chukovsky)

Monuments to the main character of children’s poem “Mukha-Tsokotukha” written by Soviet Russian poet Korney Chukovsky are in several cities of Russia. One of them appeared in 2011 in the southern city of Russia – Sochi. The many figured monument consists of a pumpkin with seeds, and cut out of it piece turned into a cosy bench. As for the Fly, its figure decorates the bench. Besides, in the foot of the Fly is a coin, which, according to the poem, she found. Authors of installed in 2011 in Sochi monument are Vyacheslav Zvonov and Alexander Butaev. And the author of legendary Fly – Akop Khalafyan.
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Behind the Amazing Samson monument in Orenburg

Behind the Amazing Samson monument in Orenburg

The bronze sculpture. Installed December 23, 2008, the centenary of the first performance of Alexander Ivanovich Zass (1988-1962) under the dome of the Orenburg Circus in 1908. Sculptor Alexander Rukavishnikov. Behind the Amazing Samson monument in Orenburg

Behind the Amazing Samson monument in Orenburg

Several decades from the circus billboards of many countries the name of Amazing Samson, did not descend. The repertoire of power performances of the Russian athlete Alexander Zass (1988-1962) was astonishing. In particular, he carried a horse or piano in the arena with a pianist and a dancer on the lid. Besides, he caught a 90-kilogram core, fired from a circus gun from a distance of 8 meters. Also, he could held in his teeth a platform with a piano and a pianist; lying naked back on a board, nailed with nails, was holding on his chest a stone weighing 500 kilograms, and more. In addition, in the famous attraction of the Man-projectile, he caught an assistant, flying out of the vortex of a circus gun. In fact, performances of Alexander Zass enjoyed great popularity. This is due not only to the original athletic numbers, but also to the fact that he was not like many of the strongmen of that time, who had massive figures and heavy weight.
His height – 167.5 centimeters, the weight did not exceed 80 kilograms, chest circumference – 119 centimeters, biceps – 41 centimeters. According to him, big biceps are not always an indicator of strength, just as a big belly does not talk about good digestion. The main thing is strength is will, strong tendons and ability to control your muscles.
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